Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

50 Great American Short Stories — 1972

A brilliant,far-reaching collection of stories from Washington Irving to John Updike

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

20 Great American Short Stories — 2003 (English)

Âíèìàíèþ ÷èòàòåëåé ïðåäëàãàåòñÿ ïîëíûé, íåàäàïòèðîâàííûé òåêñò äâàäöàòè èçáðàííûõ ðàññêàçîâ èçâåñòíûõ àìåðèêàíñêèõ ïèñàòåëåé. Èçäàíèå ðàññ÷èòàíî íà ëèö, âëàäåþùèõ îñíîâàìè àíãëèéñêîãî ÿçûêà è ñîâåðøåíñòâóþùèõ ñâîè íàâûêè â íåì.

Ñîäåðæàíèå: Ms.Found in a Bottle/Poe/What Was It?/O'Brien/Luck/Twain/The Outcasts of Poker Flat/Harte/The Damned Thing/Bierce/The Two Faces/James/The Dilettante/Wharton/Masters of Arts/Henry/The Bride Comes to Yellow Sky/Crane/The Lost Phoebe/Dreiser/Death in the Woods/Anderson/To Build a Fire/London/Silent Snow, Secret Snow/Aiken/By the Waters of Babylon/Benet/The Old People/Faulkner/A Man of the World/Hemingway/The Harness/Steinbeck/There Was a Young Lady of Pearth/Saroyan/The Girls in Their Summer Dresses/Shaw/The Lucid Eye in Silver Town/Updike/

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., The Portable Faulkner — 1977

In prose of biblical grandeur and feverish intensity, William Faulkner reconstructed the history of the American South as a tragic legend of courage and cruelty, gallantry and greed, futile nobility and obscene crimes. No single volume better conveys the scope of Faulkner's vision than The Portable Faulkner.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., Sanctuary — 1977

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., Requiem for a Nun — 1981

This sequel to Faulkner's SANCTUARY written 20 years later, takes up the story of Temple Drake eight years after the events related in SANCTUARY. Nancy, a negro nursemaid, is about to be hanged for killing her mistress's baby: her lawyer, Gavin Stevens, compels the mistress to confess the reason for Nancy's crime. The law takes its course; but justice, in Faulkner's sense, has been done

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî ñîâðåìåííîé àìåðèêàíñêîé ëèòåðàòóðå (1917-1941) — 1974

Õðåñòîìàòèÿ ÿâëÿåòñÿ ïðàêòè÷åñêèì ïîñîáèåì äëÿ ñòóäåíòîâ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è àìåðèêàíñêóþ ëèòåðàòóðó.  õðåñòîìàòèè ïðåäñòàâëåíû îòðûâêè èç ïðîèçâåäåíèé êðóïíûõ àìåðèêàíñêèõ ïðîçàèêîâ è ïîýòîâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àìåðèêàíñêàÿ ïîâåñòü Êíèãà 2 — 1991

 ñîñòàâ òîìà «Àìåðèêàíñêàÿ ïîâåñòü» (êíèãà âòîðàÿ) âõîäÿò ïÿòü ïðîèçâåäåíèé, ïðåäñòàâëÿþùèõ ðàçâèòèå æàíðà ïîâåñòè â ÑØÀ â XX âåêå. Ñðåäè ïèñàòåëåé, âêëþ÷åííûõ â ñáîðíèê - Ý. Óîðòîí, Ó. Ôîëêíåð, Äæ. Ñòåéíáåê è äð.

Ñîäåðæàíèå: Ýäèò Óîðòîí. Ñëèøêîì ðàííèé ðàññâåò. Ïåðåâîä A. Ñòàðöåâà (ñ. 6); Ýðñêèí Êîëäóýëë. Ñëó÷àé â èþëå. Ïåðåâîä Í. Äàðóçåñ (ñ. 55); Óèëüÿì Ôîëêíåð. Ñòàðèê. Ïåðåâîä À. Ìèõàëåâà (ñ. 172); Äæîí Ñòåéíáåê. Æåì÷óæèíà. Ïåðåâîä È. Âîëæèíîé (ñ. 270); Òðóìåí Êàïîòå. Çàâòðàê ó Òèôôàíè. Ïåðåâîä B. Ãîëûøåâà (ñ. 337); Êîììåíòàðèè À. Ñòàðöåâà (ñ. 407)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Woolf V., Imaginative Literature: Selections from the Twentieth Century. Vol.II. Great Books V.60

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

American Satire. Satirical Short Stories and Essays — 1966

 íàñòîÿùåì ñáîðíèêå ñîáðàíû ñàòèðè÷åñêèå ïðîèçâåäåíèÿ àìåðèêàíñêèõ ïèñàòåëåé îò Áåíäæàìèíà Ôðàíêëèíà äî íàøèõ äíåé. Êàê èçâåñòíî,þìîðèñòè÷åñêàÿ è ñàòèðè÷åñêàÿ ñòðóÿ âñåãäà áûëè ñèëüíû â àìåðèêàíñêîé ëèòåðàòóðå. Íå ãîâîðÿ óæå î ïðîôåññèîíàëüíûõ þìîðèñòàõ è ñàòèðèêàõ,â ÑØÀ íå íàéäåòñÿ,ïîæàëóé,íè îäíîãî êðóïíîãî ïèñàòåëÿ,êîòîðûé áû â òîé èëè èíîé ñòåïåíè íå îòäàë äàíü ýòîìó æàíðó.Ïðè ðàçìåùåíèè ðàññêàçîâ â êíèãå ñîáëþäàëîñü äâà óñëîâèÿ:ïðåäñòàâèòåëü àâòîðîâ â õðîíîëîãè÷åñêîì ïîðÿäêå è â òàêîì æå ïîðÿäêå-ðàññêàçû,â òåõ ñëó÷àÿõ,êîãäà èçâåñòíà äàòà èõ ïåðâîãî íàïå÷àòàíèÿ.Êàæäîìó àâòîðó ïîñâÿùåíà íåáîëüøàÿ ñïðàâêà, â êîòîðîé ñîîáùàþòñÿ êðàòêèå ñâåäåíèÿ î íåì è î åãî òâîð÷åñòâå è óêàçàíû åãî îñíîâíûå ïðîèçâåäåíèÿ. Êíèãà ñíàáæåíà êîììåíòàðèåì ñ îáúÿñíåíèåì îòñóòñòâóþùèõ â àíãëî-ðóññêîì ñëîâàðå Ìþëëåðà ðåàëèé,íåêîòîðûõ èìåí è èñòîðè÷åñêèõ äàò,à òàêæå ïåðåâîäîì îñîáî òðóäíûõ äëÿ ïîíèìàíèÿ àíãëèéñêèõ ïðåäëîæåíèé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àìåðèêàíñêàÿ íîâåëëà ÕÕ âåêà — 1989

Ñáîðíèê çíàêîìèò ñ ëó÷øèìè ïðîèçâåäåíèÿìè òàêèõ ïðèçíàííûõ ìàñòåðîâ àìåðèêàíñêîé íîâåëëû ÕÕ âåêà,êàê Ý.Õåìèíãóýé, Ô.Ñ. Ôèöæåðàëüä, Ó.Ôîëêíåð, Äæ.Ñýëèíäæåð è äðóãèå, íà ÿçûêå îðèãèíàëà, à òàêæå â ïåðåâîäàõ âåäóùèõ ñîâåòñêèõ ïåðåâîä÷èêîâ. Èçäàíèå ñîïðîâîæäàåòñÿ ïîñëåñëîâèåì è êîììåíòàðèÿìè è ðàññ÷èòàíî íà ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, èçó÷àþùèõ àíãëèéñêèé ÿçûê, à òàêæå íà òåõ, êòî èíòåðåñóåòñÿ ïðîáëåìàìè õóäîæåñòâåííîãî ïåðåâîäà

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., The Sound and the Fury — 1977

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character—s voices and actions mesh to create what is arguably Faulkner—s masterpiece and one of the greatest novels of the twentieth century.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., Soldiers Pay — 1964 (A Penguin Book)

This early works on The history of the life of the late Mr Jonathan wild the Great is a fascinating novel of the period and still a fascinating read today. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Soldier's Pay is the first novel by the American Nobel Prize winner, who was later to publish INTRUDER IN THE DUST and LIGHT IN AUGUST. It was during the summer of 1925, when he was working in New Orleans, that Gaulkner met Sherwood Anderson and was encouraged by him to write a novel. Unlike his later books this post-war story of a wounded, helpless, and dying officer returning home to his devoted father and his fickle sweetheart is set in Geoegia, but some of Faulkner's feeling for the South and many of his character-types are already foreshadowed.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., A Fable — 1968

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., Light in August — 1980 (Penguin Modern Classics)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., Sanctuary — 1982 (Penguin Modern Classics)

Psychologically astute and wonderfully poetic, Sanctuary is a powerful novel examining the nature of true evil, through the prisms of mythology, local lore, and hard-boiled detective fiction. This is the dark, at times brutal, story of the kidnapping of Mississippi debutante Temple Drake, who introduces her own form of venality into the Memphis underworld where she is being held.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., Absalom, Absalom! — 1982

Published in 1936, Absalom, Absalom! is considered by many to be William Faulkner's masterpiece. Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels. The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., As I Lay Dying — 1981 (Penguin Modern Classics)

As I Lay Dying is Faulkner s harrowing account of the Bundren family s odyssey across the Mississippi countryside to bury Addie, their wife and mother. Told in turns by each of the family members—including Addie herself—the novel ranges in mood from dark comedy to the deepest pathos.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., Absalom,Absalom! — 1980 (Penguin Modern Classics)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Faulkner W., Light in August — 1977 (Penguin Modern Classics)

A landmark in American fiction. Light in August explores society in the Southern United States through its central character, Joe Christmas, who kills his perverted but God-fearing lover and is pursued by a lynch-hungry populace.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ